The semester continues. I've been doing a great deal of traditional media artwork that I actually LIKE (trust me, this is a new development) in the last three months. Unfortunately, methods to show them to you at decent quality are not readily available because of the typically large scale they're worked in. Ah, well.
It's been a good semester, if a hard one. I have a little over a month left and, though struggling, am hopeful that I will come out pleased with myself this spring.
I was planning on taking a couple of courses over the summer, but as it is I think I might not, for fear of burning out.
Attending a regular college or university for art often brings up the disappointing fact that an academic setting is completely RIDICULOUS for many artists to endure. It's somewhat impractical to believe that an artist would need to produce work in the ways and schedules that a college expects of a student. Certainly it's important to learn how to produce on demands and deadlines, important to learn how to satisfy someone you completely disagree with, important to learn so many mediums and methods and expand your horizons! But come on. In an average week, I'm often expected to do an amount of artwork that costs about 21 hours of work
outside of class hours, at least $30 of supplies, and additional paperwork. And that's per a class. To keep on schedule with school's demands of graduation plans, most full time art students at my college need to take five or six classes per semester, at least three of those being art program classes and at least two being "general education." At the end of a week, I am usually going to have had to find time to complete a few smaller scale artworks, perhaps 50% each on two larger scale projects, two random homework assignments that need to be typed out, and perhaps a paper, while reading from four different textbooks or other materials. At some point in all that I will have needed to do research for term papers and likely attended gallery showings or artist talks that someone thinks should be required for a class. At the same time, I need to eat and sleep and, oh, perhaps breathe.
On top of this, my particular college is a commuter campus. The majority percentage of students commute at least 45 minutes to get to the college, apparently. I, for one, frequently commute at least an hour to, and then an hour from, campus three times a week. That eats up a lot of time. A larger number of students also hold jobs, and need to commute to those as well.
Yes, my college has its advantages. It's cheap, is in convenient cahoots with the metro area public transportation system, and is closer than other options in the state.
But if I had the money, I would gladly attend elsewhere. Somewhere oriented more toward art and less toward "general education". Not that I frown on learning math or science. I think it's necessary. I simply believe that the organization of majors programs at a campus best known for its science and aviation programs? Is not at all geared toward the very different orientation necessary to teach prospective leaders of art fields, be it commercial design or production or freelance fine art or whatever.
I also find it ironic that, in view of the common cliche truth of a phrase like "starving artists," getting an education in art is so very expensive just in terms of having to buy or pay for everything we need to complete assignments. Meanwhile, the other programs' students pay far far
far less. Tuition, department fees, that's usually it. Again, this seems especially absurd considering the "cheap, affordable" touting the college does of itself, geared toward people on low or medium income.
Artists need education often as much as everybody else. Nobody is a genius alone, except the occasional savant, and even they frequently will need a degree of some sort under their belt just to be taken seriously by employers. Honestly, that's why I'm in college (and if I graduate, I think I'll be the first in the family to do so), just to make sure I have a BA at least in case I need to please some close-minded employer. Besides, the opportunity to learn is precious.
Ah, well. Envy and bitchin' gets me nowhere. I will push through, persevere, and conquer. And when it's over, I will be grateful and remember that, regardless of its faults...the opportunity was still a blessing. I have so much more than some have ever had a chance at, and I am in some way lucky.
I hope someday to give free art lessons to the less fortunate, homeless or otherwise. Serious, genuine lessons, providing all necessary materials myself or through like-minded benefactors, and encourage innovation to cut costs in making art: like using what you can find lying around you every day, instead of going to a store to get something fancy-schmancy. I'd like to help those students get their art seen, get feedback from people who aren't blowing it out their ass or looking to get good publicity or sound sophisticated, move up in the world through something that makes them feel good. I'd like to teach, I really would, but NEVER for an academic institution. Art and the
general academic world. A match made for divorce.
To contrast my snarly arguments above, see this article of which I also highly approve:
7 Reasons Why You Should Go To Art School by Joumana Medlej, aka `
CedarseedIn other news: SHEESH, do I ever need a good journal CSS. ><
--Kate
^^^^^^^^^^^^^^^^^^^^^^^^^^
SOME OF MY LOVIES!
THE PE (

)
Captain -->

-- go to her journal to see a list of who is in PE currently!
Random lovely:I +fav'd this years ago, and still love it. Whimsical, a little sketch that was put through photoshop (I assume for color tinting), and...well, how could you NOT love it? --
^^^^^^^^^^^^^^^^^^^^^^^^^^WisdomIf you had all the time in the world, it would not mean success. For success, begin now, try always, and strive forever.^^^^^^^^^^^^^^^^^^^^^^^^^^What's Kate listening to?
I like good music, you should too. Check out my eclecticism and build your own at
Last.FM! (Please note that I will not add people as friends who I do not know, no offense.)
^^^^^^^^^^^^^^^^^^^^^^^^^^
I have been asked several times what the Unavisi are, and I know a lot of my buddies who are members of the Unavisi community have as well (especially Mel). To answer one question: no, sorry, you can't really make one. The Unavisi is a private affair and their existence truly belongs to Brianne Goetz ~
brianne333 . You can't have more information than that, sorry! But you can enjoy the art some of our members generate, or that we commission from many people here at deviantART and elsewhere. Just use the search bar to look for "unavisi" or look in any of our favorites collections!
The Unavisi community (when we're awake/alive, at least) is...
~
brianne333 =
anathemasremedy *
ravekitten ~
ladyofdragons ~
pariahsdream ~
Lady-Silvercat *
kendre *
lupinsansei *
dreor *
blitterbug *
roxxy-chan *
Uneide ~
ren52 *
sketchtastrophe ~
greekamazon =
alienfirst *
Loreli-AngelofDeath *
lilena =
tana-chan ~
PsamophisWe have several other members, but I'm honestly not sure if they're alive among the comm anymore. Guys? You out there? Hehe.